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An overview of this short-lived experiment in education, and a look at it's impact on the world of art.
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Black Mountain College Museum + Arts Center

Black Mountain College: An Introduction

The story of Black Mountain College begins in 1933 and comprises a fascinating chapter in the history of education and the arts. Conceived by John A. Rice, a brilliant and mercurial scholar who left Rollins College in a storm of controversy, Black Mountain College was born out of a desire to create a new type of college based on John Dewey's principles of progressive education. The events that precipitated the College's founding occurred simultaneously with the rise of Adolf Hitler, the closing of the Bauhaus by the Nazis, and the beginning of the persecution of artists and intellectuals on the European continent. Some of these people found their way to Black Mountain, either as students or faculty. Meanwhile, the United States was mired in the Great Depression, and Franklin Roosevelt, committed to putting people back to work, established the Public Works Arts Project (a precursor of the WPA).

The founders of the College believed that the study and practice of art were indispensable aspects of a student's general liberal arts education, and they hired Josef Albers to be the first art teacher. Speaking not a word of English, he and his wife Anni left the turmoil in Hitler's Germany and crossed the Atlantic Ocean by boat to teach art at this small, rebellious college in the mountains of North Carolina.

Black Mountain College was fundamentally different from other colleges and universities of the time. It was owned and operated by the faculty and was committed to democratic governance and to the idea that the arts are central to the experience of learning. All members of the College community participated in its operation, including farm work, construction projects and kitchen duty. Located in the midst of the beautiful North Carolina mountains near Asheville, the secluded environment fostered a strong sense of individuality and creative intensity within the small College community.

Legendary even in its own time, Black Mountain College attracted and created maverick spirits, some of whom went on to become well-known and extremely influential individuals in the latter half of the 20th century. A partial list includes people such as Willem and Elaine de Kooning, Robert Rauschenberg, Josef and Anni Albers, Jacob Lawrence, Merce Cunningham, John Cage, Cy Twombly, Kenneth Noland, Ben Shahn, Franz Kline, Arthur Penn, Buckminster Fuller, M.C. Richards, Francine du Plessix Gray, Charles Olson, Robert Creeley, Dorothea Rockburne and many others, famous and not-so-famous, who have impacted the world in a significant way. Even now, decades after its closing in 1957, the powerful influence of Black Mountain College continues to reverberate.

 

Black Mountain College

 

Black Mountain College

Cover Art
Black Mountain College - Vincent Katz (Editor); Martin Brody; Museo Nacional Centro de Arte Reina Sofia Staff (Contribution by); Robert Creeley; Kevin Power
ISBN: 0262112795
Publication Date: 2003-01-01
Although it lasted only twenty-three years (1933-1956) and enrolled fewer than 1,200 students, Black Mountain College was one of the most fabled experimental institutions in art education and practice. Its art teachers included Josef Albers, Ilya Bolotowsky, Willem de Kooning, Buckminster Fuller, Franz Kline, and Robert Motherwell, and among their students were John Chamberlain, Kenneth Noland, Robert Rauschenberg, Dorothea Rockburne, and Cy Twombly. The performing arts teachers included John Cage, Merce Cunningham, Lou Harrison, Roger Sessions, David Tudor, and Stefan Wolpe, and among the literature teachers and students were Robert Creeley, Fielding Dawson, Ed Dorn, Robert Duncan, Francine du Plessix Gray, Charles Olson, M. C. Richards, and John Wieners. This book, which accompanies an exhibition organized by the Museo Nacional Centro de Arte Reina Sof in Madrid, contains nearly 500 color and black and white illustrations, many never before published. Most of the images directly support the ideas and evidence presented in the book's four essays, all commissioned for this book. Poet Robert Creeley recounts his first meeting with his mentor and friend Charles Olson. Composer Martin Brody gives a history of the musical world of the 1930s to 1950s, in which Black Mountain played a significant role. Critic Kevin Power looks at the history and content of the experimental literary journal The Black Mountain Review, which was instrumental in the launching of the Black Mountain school of poetry. Curator Vincent Katz discusses the philosophy of the college's founders, the Bauhaus principles followed by art instructor Josef Albers, and the many interactions among the arts in the college's later years. The book also contains detailed histories of the careers of sixty-five Black Mountain artists, drawing on new interviews with John Chamberlain, Robert Creeley, Merce Cunningham, Fielding Dawson, Joseph Fiore, Richard Lippold, Kenneth Noland, Pat Passlof, Arthur Penn, Dan Rice, Dorothea Rockburne, Gerald van de Wiele, Susan Weil, and John Wieners.

 

Black Mountain College

 

Drinking Deep at Black Mountain College

 

Drinking Deep at Black Mountain College

Black Mountain College, near Asheville, North Carolina, was an icon of progressive education during its short life, from 1933 to 1956. When I was there, from 1946 to 1948, there were sixty to eighty students and twenty faculty. There were few formal academic requirements, no required courses, no grades, limited re sources, but an amazing abundance of creative students and faculty. Students in my two years included such notables as the writer Jose Yglesias, director Arthur Penn, painter Kenneth Noland, and sculptor Ruth Asawa. The Summer Art Institute in 1948 had John Cage and Merce Cunningham, Elaine and Willem de Kooning, Buckminster Fuller, Richard Lippold. The regular faculty had as its star the abstract painter Josef Albers, and many notables in painting, mathematics, chemistry, weaving, and music, including Ilya Bolotowsky, Max Dehn, Natasha Goldowski, Anni Albers, Erwin Bodky, and Edward Lowinsky. The rest of the faculty included lesser-known but often distinguished writers, philosophers, musicians, historians, and a progressive psychologist. (Continued)

 

Black Mountain: An Exploration in Community

Cover Art
Black Mountain - Martin B. Duberman
ISBN: 0393309533
Publication Date: 1993-02-01
Reprint of the E.P. Dutton edition originally published in 1972 a celebration of a fine (and poignantly nostalgic) college that endured from 1933 to 1956. Annotation copyright Book News, Inc. Portland, Or.

 

Black Mountain College: Sprouted Seeds : An Anthology of Personal Accounts

Cover Art
Black Mountain College - Mervin Lane (Editor)
ISBN: 0870496638
Publication Date: 1990-01-01

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